Saturday, September 14, 2024

HannahLouMyers handmade watercolour paint review

A review from a new painter of HannahLouMyers handmade watercolours and a variation on the review I wrote here.


handmade watercolour tin  opening handmade watercolours


The magic of using good quality materials is something any craftsperson can relate to.  Like carving a beautifully grown apple branch into a spoon or knitting with lovingly handspun yarn.  Spaghetti sauce from homegrown tomatoes.  The materials add a flavour to the final project that is more than knowing where our ingredients come from, it adds a feeling of life to the final creation.  


So when I started learning how to paint this summer, I looked around for handmulled paints that would give this feeling to my paintings.  Commercial paints are lovely, but they feel like the pigment is flat on the paper and it takes a lot from the artist to add that extra dimension to the painting.  Thus the quest for handmulled paints began.


I suspect if I had spent as many hours painting as I did seeking out the perfect handmade paints, I would be a master painter by now.  But I finally settled on HannahLouMyers' handmade paints on etsy and I am over-the-moon happy with these paints.  (I just hope I'm worthy of them).


They look like handmade chocolates, but the inside is even better.  I bought the set of 6 handmade watercolour half pans in a tin.


Okay, I want to stop here and say that these paints smell amazing.  Like all the good memories of winter holidays in one tiny tin.  


The ingredients include clove oil for preservation and honey to help the paint flow smoothly.  Local honey!  This is another reason why I choose this maker as the shop is just the next city over and they source many of their ingredients locally.  


I hear you saying "alright already, but how does it paint?"


Before I decided what colours to get, I bought some dot cards.  These are small mounds of watercolours on a bit of paper we can use for swatching.  HannahLouMyers has generous size dots that I was not only able to see what the colour looks like, but to swatch and do some colour mixing to see which combination gave me the most versatile and useful palette.  



I am really glad I got some dot cards first because I had no idea that paints could be so lively.  It's not just the colour, but each paint has a personality it adds to the painting.  Some of these paints are so textured you can feel it on the page and it makes the most marvellous effect.  The thing is, I've only been painting for two months and I worried that my skill wasn't up for those paints... yet.  So I chose some of the calmer paints.  


The Colour Theory or Primary set has great mixing power so they were an obvious place to start.  The more muted yellow and red (forsythia and maple) are very much like my most used colours of yellow ochre and burnt sienna.  But different enough that I'm going to have fun learning what these paints can do.  As for choosing brine... well, that was an oddball for me.  Of all the colours I swatched, that was the one that sang to me most of all.  I don't know why or how to use this colour but I just knew it would improve my painting if I tried it.  


So, the next step is to swatch out a little cheat sheet for my tin until I can get to know the colours better.




I love this little set and the only big adjustment I've made is to add magnets to the bottom of the pans so they don't rattle around.


And a final comparison between commercially made paints and the hand mulled watercolours.


The commercial paints have the advantage of being consistent and predictable.  But when I see them next to the handmade watercolours, the handmade paints look more lively and the commercial ones flat.  

I'm very excited to try out these new paints, but I'm also worried that now I have them, I will be too afraid to use them because I'm not yet good enough.  I need to find something too paint soon so I can get over the fear.  There's no point having beautiful paints and not using them.  

additional to the original review:

I love these paints and I especially like that they include pigment information.  The pans are overflowing with paint and considering these are cheaper than commercial paints, I am definitely getting my money's worth.


What I didn't mention is how long shipping takes.  I've had things arrive the same day from that city, but it usually takes 2 to 3 business days to get here.  I'm very lucky if I get my order in under 3 weeks.  


The paints are less consistent than commercial versions, but I kind of like that as these paints participate in the art instead of just sitting where I put them.  

1 comment:

Josiane said...

Thank you for sharing the source and your thoughts about those paints. They sound absolutely wonderful, and I bet working with them is a delight! I totally get the fear of not doing justice to awesome craft supplies, but you're right: not using them would make no sense, especially as there's probably no such thing as "misusing" great supplies — it's really more a case of going through the learning process with them. And using good materials makes learning go a lot more smoothly than it does when we wrestle with crappy supplies! It's like learning to spin using fresh rolags made by someone who knows how to card well versus using a matted, half-felted batt — the experience is as different as night and day, and not only is one way more enjoyable than the other, it has much better chances of turning the learner into a spinner!